Why Clever Marketing Is Really What Made Seattle a Global City

Its not necessarily about what youre selling. Its more about how you sell it. And that's been as true for Microsoft and Starbucks as it has for Sub Pop and grunge

By Leslie Helm August 1, 2018

Seattle, USA - Jul, 9, 2018: People passing the Sub Pop shop in the Seatac airport late in the day. Sub Pop is the famous music label that brought Grunge music  to Seattle.

This article originally appeared in the August 2018 issue of Seattle Magazine.

This article appears in print in the August 2018 issue. Click here for a free subscription.

Theres a lot of mythology around Seattles emergence as a global city.

Start with Chief Sealths mid-1880s message to white settlers, perhaps apocryphal, in which he reportedly said, The earth does not belong to man; man belongs to the earth. Those words, silk-screened onto posters and T-shirts since the 1970s, may have lent the city named after that chief a certain credibility as a center of environmentalism.

Then theres Daniel Bagley, the Methodist minister who persuaded pioneer Arthur Denny to give up his dreams of establishing the state capital in Seattle and instead donate prime property downtown for the University of Washington. That choice of education over politics helped make Seattle the states center for business and technology.

Erastus Brainerd, a newspaperman, did his part in Seattles rise by launching a media campaign of letters and posters to persuade the world that if it wanted to prospect for the gold recently discovered in the Klondike, Seattle was the place to start. That campaign brought the first big wave of migrants to Seattle during the waning years of the 19th century.

But one of my favorite stories is about how the two founders of Sub Pop, the record label, took a music scene emerging in several areas of the West, called it grunge and, through some clever marketing, made Seattle its center. In 1989, Bruce Pavitt and Jonathan Poneman paid the air fare for Everett True, a British music critic, to fly to Seattle so he could travel and drink with local bands represented by the label. As they expected, True wrote glowingly about the burgeoning music scene in Seattle, putting the city on the map as the birthplace of a new kind of music.

In 1992, Rolling Stone magazine put Nirvana on its cover and called Seattle the New Liverpool. Poneman told The New York Times not long after that in Seattle all things grunge are treated with the utmost cynicism and amusement because the whole thing is a fabricated movement and always has been.

I love this story because it says something hard yet true about Seattles success. Sure, we have beautiful surroundings and our companies take great care of their customers, but a lot of our regions success is about good marketing. When local governments have periodically tried to market the region, they have invariably failed. Remember the effort to label Seattle as Metronatural?

But our captains of industry have been masters of the dark art. Bill Gates didnt really have much to offer when IBM came around asking Microsoft to build an operating system. He bought QDOS (quick and dirty operating system) from a buddy, spiffed it up, and, with some good marketing, turned it into the global standard for personal computers. Howard Schultz used his marketing chops to turn Starbucks, a coffee shop with OK coffee, into a global empire whose 27,000 outlets are colonial outposts for Seattle values. Amazons ability to turn its search for a second headquarters into a national competition strikes some observers as cynical a kind of Hunger Games pitting city against city. But that effort has every major city in the country comparing itself to Seattle. Its the kind of marketing you just cant buy.

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